In a shocking revelation that sent shockwaves through Hollywood, renowned journalist Megyn Kelly has just unleashed a scathing attack on Disney, accusing the entertainment giant of hemorrhaging nearly $1 billion at the box office due to its misguided and divisive “wokeness” crusade. Brace yourselves, because the truth behind Disney’s disastrous downfall is about to be unveiled.
Kelly, known for her fearless commentary, pulled no punches as she dissected Disney’s recent string of catastrophic failures during an episode of her widely acclaimed SiriusXM podcast, “The Megyn Kelly Show.” Armed with data from the incisive YouTube commentator “Valliant Renegade,” she exposed the painful reality that the once-mighty Mouse House has been brought to its knees by its own relentless pursuit of political correctness.
With hits like “Lightyear,” “The Little Mermaid,” and “Elemental” fizzling out at the box office, it’s crystal clear that audiences are rejecting Disney’s patronizing and forced injection of “woke” characters. Kelly powerfully asserted, “The people are not buying this content. They don’t want this content.” The numbers don’t lie, and they speak volumes about the public’s growing disillusionment with Disney’s politically charged agenda.
As if that weren’t enough, Kelly went on to reveal that Disney is not alone in its descent into “woke” madness. Media behemoths Netflix and Warner Bros. Discovery have also witnessed their diversity czars abandoning ship. The departures of Disney’s chief diversity officer, Latondra Newton, Netflix’s head of inclusion, Vernā Myers, and Warner Bros. Discovery’s vice president for diversity, equity, and inclusion in North America, Karen Horne, send a clear message: the narrative of inclusivity and diversity is not resonating with audiences, and the industry is taking notice.
In their desperate attempt to pander to the ever-elusive “woke” crowd, Disney made ill-advised changes such as Minnie Mouse trading her iconic red and white polka-dot dress for a blue pantsuit. While they expected applause, what they received instead was a resounding chorus of disappointment from loyal fans. These superficial alterations only served to further alienate the very audience Disney claims to champion.
But the consequences don’t stop there. Kelly highlighted the financial toll of Disney’s misguided virtue signaling. Films like “Lightyear,” with its LGBTQ character and same-sex kissing scenes, raked in a paltry $226.4 million worldwide while costing a staggering $200 million to produce. Similarly, the controversial casting of Halle Bailey as the lead in the live-action remake of “The Little Mermaid” ignited a firestorm of controversy, but failed to translate into box office success. Despite grossing $525 million, the film’s production costs reached a sky-high $250 million, leaving Disney’s profit margins gasping for air.
Another casualty of Disney’s “woke” experiment was the animated film “Strange World,” featuring a gay teen romance. Audiences gave it a resounding thumbs-down, resulting in a meager $28 million global box office performance and an estimated loss of $150 million. These eye-opening figures not only expose the financial calamity Disney finds itself in but also underscore the growing public fatigue with the forced injection of identity politics into every aspect of entertainment.
As Kelly aptly pointed out, the repercussions of Disney’s misguided “wokeness” agenda extend far beyond the box office. With media giants and tech titans slashing their diversity positions, it becomes evident that these companies are realizing the futility of virtue signaling. Glorifying “wokeness” without considering its impact on the bottom line is not only a failed strategy but also a betrayal of the very audience these corporations claim to represent.
In conclusion, Megyn Kelly’s damning exposé on Disney’s costly plunge into “wokeness” serves as a wake-up call to the entertainment industry. Audiences are not interested in politically charged content that sacrifices quality storytelling for hollow virtue signaling. As the tide continues to turn against the divisive “woke” narrative, one can only hope that Disney and its peers will heed Kelly’s warning and reclaim their commitment to providing captivating entertainment that transcends political ideologies. The billion-dollar question remains: will they learn their lesson before it’s too late? Only time will tell.
